Geisha greets you with shoji screens, Japanese touches and a more theatrical layout than many of Nana Plaza’s traditional rooms.

The main stage sits right at the centre of things, with tiered seating wrapping around the action and giving almost every seat a clear view. But Geisha has another trick waiting off to the side: the bathtub area. Part sideshow, part distraction, and often the thing people end up remembering most, it has a habit of stealing attention once the bubbles start and the girls take over that corner of the room.

Despite the size, the bar rarely feels distant. There’s a constant sense of movement, with dancers circulating between performances, conversations starting across the seating and enough happening around the room to keep the atmosphere lively without losing its sense of flow.

Geisha wears the look of elegance well, but this is still Nana Plaza.