Angelwitch trades Nana’s neon gloss for black outfits, hard rock and a stage with a darker edge.

The real draw is the show. Choreographed routines, costume changes and themed performances break up the usual go-go rhythm, giving the night a sense of progression rather than simply repeating the same scene around the room.

The dancers lean into the concept too, with the performances feeling more deliberate and character-driven than a standard stage rotation. There’s a bit more attitude here, a bit more theatre, and enough personality in the room that the girls feel like part of the show rather than just background to it.

A little angel, plenty of witch - and probably exactly the balance Nana Plaza had in mind.